Last night I was flipping channels and discovered A Clay Aiken Christmas on NBC. That reminded me of something I posted
a loooooong time ago (okay, in September) about my summer concerts. I mean the ones I attended, not the ones featuring me. Because there weren't any featuring me. That would be horrid. Anyway, I did get around to talking about
Dave but I forgot about Evanescence and I forgot about Clay Aiken. So I'll mention a few random things about the seeing of Clay that occurred in July.
A smattering of background information may be useful as a prologue. Okay. I noticed Clay Aiken on American Idol 2 during the Wild Card round ...
Aieeeeeeeeee! There's one hour of Family Guy on Fox tomorrow night! You all must watch it, watch it I say! It is the best show that's not on TV. For each minute that you do not watch (not including commercials, because everybody has to pee sometimes) I shall KILL you! Okay, I won't kill you, that's kind of harsh. Revised threat: For each minute that you do not watch, I'll kick a puppy or something.
... and decided that I luuuuuuuurved his voice. And sometime around the top 11 show (or whenever Corey "Craggle" Clark stopped spinning around long enough to get caught for beating his sister up) I found a wonderful group of Clay fans on the Television Without Pity American Idol message boards. They were actually witty and interesting, not all, "Squeeeeeee! OMG I luv Cl810 and I am going 2 have ten million red-haired bebes cuz we R ment 2 B!" I quickly discovered that I was a much bigger fan of the fans than of Clay himself. (Well, with the exception of "ease your miiiiiiiiiiiiind", because that was just awesome.)
So after AI2 ended, the People's Republic of Clay (shut up) on TWoP split, and the fans ended up divided into crazily intense fans, some who quit their jobs to follow Clay around the country (I'm not kidding) and Unintense Fans Who Refused to Venerate Clay Aiken. I posted on the unintense board for quite a long time (mostly in the random stream-of-consciousness main thread where we barely talked about Clay at all) but I haven't had time to post there regularly for months. And in the process of drifting away from the board, I have also stopped paying attention to Clay's career completely. But I do still love his voice, and he's a terribly entertaining live performer. So I thought I'd run through the stuff I remember from the concert real quick, because it may entertain someone, somewhere out there. Hardy har har.
Sometime in February, Clay embarked on a 897-city tour. Not really. But he did tour with Kelly Clarkson, and then did a solo tour after that, and now he's doing some Christmas shows. I think he's trying to get his looniest fans who go to every show to keel over from sheer exhaustion, and make the hard drives of the ones who download every bit of bootleg explode, or maybe he's trying to deplete their bank accounts so they'll have to stop following him before they get any crazier. I saw he and Kelly in Columbus back in March, and then I saw him solo in Charleston, WV in July. The solo show was very similar to his set with Kelly, but he did some old 80s covers and like I said, I love his voice. So it didn't bother me that I had essentially seen it once.
He opened with Where the Streets Have No Name by U2. On one hand, how dare he? But on the other hand, I had completely forgotten about that song and I love it. So I'm glad he reminded me. Another 80s cover was Kyrie by Mr. Mister, which is a really excellent song for his voice. I was glad that he did that one, because he enunciates so well that I could finally understand the lyrics. I always thought it was "Carry Mia's raisins down the road that I must travel," and I was totally puzzled about that. Was it a really long trip and they actually started out as Mia's grapes? And furthermore, why can't Mia carry her own raisins? Then I decided that the lyrics were, "Carry a laser down the road that I must travel." But that didn't clear anything up at all. While it would be practical to have a laser on hand, in case one needed impromptu correction of near-sightedness or hair removal, it makes me wonder if Mr. Mister worked for Dr. Evil.
The other 80s cover that I remember was Rosanna by Toto, which was another great song for Clay's voice and it was also a good song to showcase his band and backup singers, which is what he did at the end of it. One of the backup singers, Jacob, played a good soprano saxophone. It reminded me of this one time? At band camp? When we played Turn the Beat Around by Gloria Estefan? And we had a soprano sax soloist who thought she was Kenny G? And every time I hear that song now, I hear it like this: "Turn the beat around ... brrrrrreeeeeeEEEEEE!!!!" because she did all these big long runs? And it was SO ANNOYING.
The mostly instrumental end of Rosanna also gave Clay time to go change into his completely white outfit of controversy, as he prepared to sing his (oh, the horror!) controversial religious song. He sang You Were There by Avalon, which wigged out some of his fans because he was "forcing his religion on them" or some such thing. Personally, the song made me cry and I thought it was beautiful. After he finished, almost the entire arena leaped to their feet. Other than the obviously Christian lyrics, some fans couldn't believe that Clay had the audacity to show images of -- prepare to be appalled -- CHURCHES, with CROSSES, on screens around the stage. It was all so totally offensive, see. Now, the grinding with one of the backup dancers during a cover of When Doves Cry, that was free expression and HOTT and all of that. And the fans who were a little offended by that were just prudish and ignorant and had no appreciation of art whatsoever. See the difference? Yeah, I don't either.
When You Were There began, with a piano intro, and those "intrusive" images of churches with crosses, sunsets, and flowers, and other serene stuff started to run on the screens, I turned to Susan (my concert buddy) and she appropriately went, "Ahhhhhhhhh."
People behind us asked us to sit down. I REALLY hate that.
Oh, and Clay wears terrible outfits. They're just awful. Like I mentioned back in September when I first started talking about concerts, he wore these horrible pants that I'm sure he bought in 1986 at Chess King. I'm not sure if he got the vest and the skinny tie that went with them. He had a quasi-mullet too. Kind of a training mullet, if you will.
Clay and his backup singers also did a great James Taylor medley, and oh! I forgot about the encore, which was Solitaire. The last minute or so of that song gave me chills.
So to sum up, Clay is a great live performer. He has this giant voice, and he just nails songs to the wall. He also has a wonderful rapport with the audience -- he chatters in between songs just like he was talking to a handful of people on his front porch. I was amused reading the accounts of people who had been to concerts and were seated near someone who hadn't seen Clay live, or didn't know him from American Idol. They told how they excitedly filled the poor soul in on how this was their 35th concert and they knew all about Mama Faye and Peanut and 13 1/2 and THUD and *swoon* and PANTS! and Waldo and John and the house in California and the allergies and the glasses and red panties and Clay wuz robbed and the Anomaly and OMG the People magazine bathroom picture and eye debacles. Ack. It was like the Big Loon/Little Loon mentoring program. Kind of sweet, really.
And lucky for him, he managed to get out of West Virginia before we changed his name to Robert C. Byrd. We really like naming stuff "Robert C. Byrd This" and "Robert C. Byrd That". And Robert C. Clayton Byrd Holmes Grissom Aiken the First doesn't have a very nice ring to it.